Nick & Clemens Prokop develop and realize medial concert productions.

They have a special relationship with Kent Nagano, for whom they realised an interactive "Sacre du Printemps" in an AUDI press plant and the season opener of the Hamburg State Opera in Hamburg's Planetarium.

Her "Sound Interference" in the new production of Verdi's "Vêpres Siciliennes" at the Bavarian State Opera caused a sensation.

Her particular interest lies in the artistic use of digital technology, such as projection mapping, interaction and immersive approaches. Her interactive music theatre stage Virtostage is part of the permanent exhibition at Haus der Musik (Vienna/Mexico).

At the centre of her work is the goal of creating new forms of experience for classical music. With their professional musical background, they consistently design their projects from the respective scores. This applies in particular to their music visualizations.

They realised the music film "VINETA - Vokale Visionen" for Bayerische Fernsehen. In the Segerström Hall (Costa Mesa, CA) they staged "Cathedrals of Sound" for Carl St. Clair with Anton Bruckner's 8th Symphony in the centre.